MIDAS DM12 Analogue PA Mixer 12 Channel

$300.00

MIDAS DM12

The Midas DM12 analog mixer is a simple, great-sounding compact mixing solution. With eight mono inputs and two stereo input channels, you've got enough inputs for small bands or worship teams. You'll be impressed with the sound of the DDA DM12's eight Midas microphone preamps, with ultra-low noise and exceptional sonic detail. Two aux sends are available and can be switched between pre- and post-fader operation.

Live Performance and Studio Recording

With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.

Dedicated Stereo Inputs

Line channels 9/10 - 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.

Sublimely Musical British EQ

MIDAS DM12

The Midas DM12 analog mixer is a simple, great-sounding compact mixing solution. With eight mono inputs and two stereo input channels, you've got enough inputs for small bands or worship teams. You'll be impressed with the sound of the DDA DM12's eight Midas microphone preamps, with ultra-low noise and exceptional sonic detail. Two aux sends are available and can be switched between pre- and post-fader operation.

Live Performance and Studio Recording

With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.

Dedicated Stereo Inputs

Line channels 9/10 - 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.

Sublimely Musical British EQ